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-- First Seen: 2008-09-26
Escape From Terra is updated with new pages every Monday through Friday.
Roswell, Texas Deluxe Pre-Launch Deal
As we get ready to launch our Roswell, Texas Deluxe Indiegogo campaign next week, we have an early bird deal to offer. If you sign up to our campaign before the campaign starts, you will get a 15% discount on your contribution to help us print 500 copies of the limited deluxe edition of the popular retro-sci-fi comedy romp. By signing up, you will receive updates on the campaign as well.
To sign up for our early-bird special, just go to our Indiegogo Roswell, Texas Rides Again campaign pre-launch page. And stay tuned for more announcements!
Roswell, Texas - Full Color Hard Bound
ROSWELL, TEXAS, the retro-sci-fi comedy romp written by L. Neil Smith and Rex F. May, and illustrated by Scott Bieser and Jen Zach, is getting a new lease on life from Big Head Press. The new deluxe printed graphic novel will be in a full-color, larger format hard-back book, and limited to 500 copies available exclusively through Indiegogo.com, the crowd-funding platform. This new edition will also include an afterward by Rylla Smith, daughter of author L. Neil Smith, who discorporated in late August.>
The crowd-funding campaign is scheduled to commence October 25, ending November 23. Stay tuned for more announcements.
The Transcript For This Page
Full-height panel, Guy Caillard – a small, wiry man with a pencil moustache -- is walking towards us down an office corridor. He is dressed in 22nd-Century style office clothing, and the corridor (along with all the interiors of this segment) have a simple/functional but also vaguely futuristic style. Clipped to his breast pocket is a 2”x3” ID badge. When you can see it up close, it has his mug-shot as the largest object, his printed name, a small bar-code and two magnetic strips.
Guy is holding a cup of coffee, and he has a desultory expression on his face.
Caption: Guy Caillard, from the French region of Terra, pronounced his first name ‘Ghee’.
Caption 2: That the mostly Anglophones here at United World Revenue Service insisted on pronouncing it to rhyme with ‘eye’ was one of many irritations he endured at his job.
Dream-picture of a more heroic image of Guy, dressed something like a Wild-West Sheriff with a big star on his vest, standing over the corpses of the “robber barons,” gazing across a bomb-blasted corporate boardroom in a domineering pose.
Caption: All his life he had nurtured an heroic vision of himself, one recognized for his talent and courage.
Caption 2: When he went to work for the UWRS, he thought he would force the robber barons to pay their fare share in helping Terra’s less fortunate.
Medium elevated angle shot of Guy’s cubicle, with the real Guy sitting at his desk. The cubicle is about 7x7 and is crammed full of paper files, folders, and envelopes both large and small – stacked up in piles around the place. There are drawers and cabinets but they are also stuffed There’s barely room for a walkpath to Guy’s chair. It looks absolutely dreary. Guy is taking a sip of his coffee while seated with ramrod straight posture facing the terminal display on his desk. The display looks something like a futuristic flatscreen monitor and keyboard, without cords. The desktop is also cluttered with stacks of papers and envelopes.
Caption: It hadn’t quite worked out that way. The Robber Barons had been taxed into oblivion, except for a clever few who made all the right friends and were therefore untouchable.
Caption 2: So Guy spent his days squeezing the dwindling middle class to fund UW’s many worthy projects. He felt sorry for them, but somebody has to pay for social justice.